漫畫家大師Mikael Ross (The Thud)講述了貝多芬從1778年到1795年在維也納首次公開亮相的故事。故事開始于這個(gè)家庭在波恩過著艱難的生活。約翰神父與酗酒作斗爭(zhēng)，負(fù)債累累。只有年輕的路德維希和他在鋼琴方面的天賦能給他的未來(lái)帶來(lái)希望——只要他停止創(chuàng)作自己的作品，只演奏人們對(duì)他的期望。作家羅斯被邀請(qǐng)為貝多芬協(xié)會(huì)寫一篇小漫畫。通過這次機(jī)會(huì)，他發(fā)現(xiàn)了貝多芬家樓下面包師兒子的日記，日記的內(nèi)容啟發(fā)了金童。和他的上一本書《砰》一樣，羅斯巧妙地將幽默與同理心和純粹的社會(huì)戲劇結(jié)合在一起，打造了一個(gè)超越傳記主題的成長(zhǎng)故事。他豐富多彩的、富有表現(xiàn)力的風(fēng)格和對(duì)漫畫語(yǔ)言的精通，完全適合在視覺上捕捉貝多芬不朽的音樂這一艱巨任務(wù)。
A Junior Library Guild Gold Standard Selection Master cartoonist Mikael Ross (The Thud) tells the story of Beethoven from 1778 to his first major public appearance in Vienna in 1795. It begins when the family is living a difficult life in Bonn. Father Johann battles with alcoholism and is deep in debt. Only young Ludwig and his talent at the piano offer any hope for the future — if only he would stop composing his own pieces and just play what's expected of him.Author Ross was asked to do a small comic for the Beethoven Society. Through this opportunity, he discovered the diaries of the baker's son that lived downstairs from Beethoven's family, the content of which inspired Golden Boy. As in his previous book, The Thud, Ross skillfully mixes humor with empathy and pure social drama, crafting a coming-of-age story that transcends its biographical subject matter. His colorful, expressive style and mastery of the language of comics are perfectly suited to the tall task of capturing Beethoven's timeless music visually.
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